Wednesday, 26 February 2025

Landlines, Raynor Winn

This post contains affiliate links. If you click through and buy I will receive a percentage commission at no extra cost to you.

We catch up with Moth and Raynor in the midst of the Covid-19 pandemic on their thriving farm in Cornwall. Moth’s health is as bad as it's ever been as he struggles to walk short distances and has a fall that makes them worry his decline is reaching the point of no return. Raynor can’t help but hold on to the hope that their previous long distance walks gave her. Wracked with guilt, she broaches the topic of another one. When the state of the world allows it, they head north to tackle the Cape Wrath trail, famously one of the toughest, wildest walks the UK has to offer, and one Moth has always dreamed of. The fear that she’s pushing him too far, doctor’s words about not doing anything too strenuous circling her mind at every sign of difficulty. Moth has lost the confidence of his stride and developed a vertigo that makes scrambling up the sides of mountains a real challenge. As they battle bad weather, closed cafes, and communities that are suspicious of any outsiders, will their longest walk yet give them the miracle they’re dreaming of?


As they wind their way through the wilds of Scotland, Wynn reflects on the challenges of the communities they pass through. Many cafes won’t let them inside for fear of Covid, shops are bare of supplies because stock is held up at the ports in Brexit bureaucracy, and the landscapes are frequently devoid of the wildlife that should be there. She talks about the overfarming of land and how it is stripping away the goodness of the soil, losing the insects that signify a healthy ecosystem. Their own land in Cornwall has flourished with their gentler approach, with wildlife re-emerging. She often comments on the climate emergency and the role humans have and continue to play in it. 


The remote northern reaches of Scotland, once quiet communities, have become overrun since the North Coast 500 route was formalised. Now cars and campers line every spare section of road, parking dangerously and harmfully to local residents. They nonetheless find solitude in much of their walk as they move away from the well-trodden paths and roads, finding their own way. By the time they reach Fort William and the popular West Highland Way, the number of walkers make it feel busy compared to the emptiness of the landscapes they’ve traversed to get there. Along the way they have encounters with animals and birds, some of which they haven’t seen for a long time. When times are good the joy and peace of nature shines through.


Winn doesn’t shy away from the difficulties. Of course, they have Moth’s declining health to contend with, but there’s also the relentless rain, dwindling supplies between far flung shops, and the continual challenge of finding somewhere to camp. There are times when it all feels too difficult and they consider turning back, getting a bus to the closest town and taking a train home, but the call of nature is strong, as is their dedication to each other. At the heart of all of Winn’s books is her love for Moth, their shared life, and the confidence and hope it has given them both. There is sadness, of course, at the possible end being close, but it is this that drives them to try everything they can to make Moth well, to give them more precious time together.


With Landlines we return to a more linear story, and one that will inspire and give us all hope. Moth and Raynor are a remarkable couple, putting themselves through extreme challenges, but with a feeling that they are exactly where they are meant to be. It is also nice to see them be able to afford to stop in B&Bs and to buy a bowl of hot chips when they want to, a far cry from The Salt Path where they were having to make pennies stretch across weeks. A love letter to nature, their marriage, and friendship. A lovely read.


Pick up a copy:

Waterstones

Bookshop

Wednesday, 19 February 2025

Exhibition Review: Versailles: Science and Splendour, The Science Museum, Lonodn

When you think of the extravagant palace of Versailles in France you likely thing of luxury, fantastic balls for the country’s wealthiest, and its famous final royal inhabitants, Marie Antoinette and Louis XVI. You’d be forgiven for not immediately thinking of scientific endeavours, yet this exhibition at the Science Museum in London demonstrates how it was at the centre of scientific developments across the board during the reigns of Louis XIV, XV, and XVI. You are taken thematically through a series of rooms, all designed in such a way to immerse you in the era. We learn variously about bringing water to Versailles, garden design and innovation, the menagerie, astronomy, medicine, and clockmaking. There's something for everyone in this accessible, fascinating exhibition which shows how the French court mixed cutting edge technology with elegance and beauty.

You learn about the tools required to create a grand symmetrical garden, and how water was brought to the Palace. The Marly Machine was designed to lift water out of the Seine before transporting it quite some distance via aqueducts, supplying more water to Versailles than the whole of Paris. The machine, admittedly, didn’t work terribly well, but remained functioning for around 130 years. I also enjoyed learning about the innovations in the fountains, and Louis’ hopes for a constantly changing display. This proved impossible so he had to make do with displays on a rotation of over two hours, with some manual interference when he was out walking to give the appearance of ever changing combinations. 


We then delve into the world of botany and the experiments growing plants not native to the country. A painting commemorates the first successful growth of a pineapple. Soon we’re faced with a full-sized taxidermied rhino as we learn more about the animals that lived at the Palace. There are some quite remarkably modern looking paintings on display.


The section on medical advances is interesting, with an early model of pregnancy used by pioneering midwife Madame du Courdray, who is not the only woman celebrated in the exhibition. We see Émilie du Châtelet’s manuscript of her translation of Isaac Newton’s Principa, which is still used today, highlighting its significance. There is also discussion of the way in which the girls of the royal family were encouraged to experiment and learn subjects that may have been more widely considered unsuitable.


There are some grisly items on display - the tools used to heal Louis XIV’s anal fistula, and an acknowledgment of the sacrifice made of non-royals in working out how to successfully carry out the procedure. In other ways the royals were able to benefit public health by promoting the use of inoculations, happily having them administered, acting as a prominent example of success.


Many of the objects naturally come from France, and it’s wonderful to have the opportunity to see them, but they also acknowledge that much of the royal collection was lost and broken up during the Revolution. They continue to attempt to rebuild it today. There are beautiful, unusual objects on display, and a fascinating thread of innovation and discovery running throughout. The exhibition highlights the fact these experiments were not working in isolation however, acknowledging the work happening in other countries at the time, and the way in which various parties were willing to share knowledge and assist in each other’s endeavours. This lovely exhibition is open until 21st April 2025 and I’d recommend trying to catch it if you’re interested in history, science, or design. 

Wednesday, 12 February 2025

Just One Damned Thing After Another, Jodi Taylor

This post contains affiliate links. If you click through and buy I will receive a percentage commission at no extra cost to you.

Welcome to St. Mary’s Institute of Historical Research, where history is explored in a very real way. But don’t mention time travel, they don’t like that. Dr Maxwell is our guide to this eccentric world where she is put through her paces to become a qualified historian before being able to go on real ‘jumps’, travelling to different events in history to find out what really happened. Shrouded in mystery, the real activities of St. Mary’s are obscured, but everyone knows them for their constant mishaps while they experiment. The historians have a high attrition rate, and it becomes abundantly clear why from the very first mission the new cohort of historians go on. Even if they manage to survive, all jumps end with a trip to the sick bay. As numbers dwindle Max is forced to rely on her partner Sussman, an unpopular character with the rest of the crew. When they are sent on the biggest mission yet, three months in the Cretaceous period, she has to put her faith in him completely. 


The staff at St. Mary’s are quirky and mostly friendly, always up for a challenge, and easily distracted. Living and working together, it’s only natural that romances emerge, making the loses all the harder to bear. Max and a colleague fall hard for each other, and when they finally let their feelings free it is explosive. All these feelings inevitably lead to jealousies and competition, and some certainly hold a grudge. It was slightly unexpected to find a romance you really get behind in this light-hearted historical fantasy, but Taylor pulls it off smoothly.


The time travel happens via pods which transport them back in time, always hoping they don’t land at the bottom of the ocean or in the middle of a mountain. They are incredibly careful not to leave any trace, any signs of modernity, or to bring back anything not from their own time. This means they spend a lot of time documenting what they find. The adventures keep coming as Max whizzes through the twentieth century, ancient Egypt, the Middle Ages, and the Cretaceous period. As soon as one peril is survived we’re on to the next. They’re not all completely disparate events though, an overarching story emerges as we begin to understand the very real threat to St. Mary’s, and history as we know it. Each jump tells us a little more about the other characters, giving us clues as to who Max can trust and who she definitely shouldn’t. 


This is a hugely fun read that I devoured quickly. Taylor manages to mix light hearted comedy and farcical situations with emotional depth, peril, and gender dynamics. It has a little bit for every taste. You might have questions about the time travel but we’re encouraged not to probe. History itself has agency and tries to prevent actions by the historians where they might interfere with the natural course of events, a fact that seems to be forgotten in some of the later activities. The final mission felt a little superfluous, the book could easily have ended a plot point earlier, but I imagine it went some way in setting up the following books in the series. Overall a great read with headstrong, likeable characters whose stories leave plenty open for more exploration in later books. 


Pick up a copy:

Bookshop

Waterstones