This post is part of a blog tour. Thank you to Random Things Tours and Lake Union Publishing for providing me with a copy of the book in exchange for an honest review.
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It’s March 2020 and Daisy is on her way to Kathmandu in the search of an ancestor’s story when her Mum phones to tell her she’s no longer able to join her as she’s come down with Covid. Daisy is encouraged to keep going, everyone believing the virus will only be an issue for a few weeks and so she does, but when she arrives things begin to fall apart. Treks are cancelled, flights are grounded, and it seems like she’s going to be stuck there before she’s even had a chance to get to Phortse to look for traces of Violet. She’s brought with her the letters and journals she found in an old chest at their Scottish estate that Violet wrote in the 1920s. A strong-willed, independent young woman, she went to Edinburgh to study at the School of Gardening against her family’s wishes. When she fell in love with a fellow gardener neither her family nor his approved, but an opportunity for him to assist on an expedition to Nepal provides hope for them to break free of their families and set up a home of their own. The last journal entry Daisy has is from 1929, when Violet’s story is really just beginning. Will she be able to uncover the rest of her story or will Covid ruin her plans?
Family is central to the story. Daisy’s marriage broke down after she gave up everything, leaving Scotland and a successful gardening business to move to London with her husband, and the trip to Nepal was about more than just searching for Violet, but also about rediscovering herself, finding her way out of the slump she’s been in since the marriage ended. Her relationship with her mother feels very relatable right from the start, with her playing down how she’s feeling with Covid and focussing on Daisy succeeding. Her relationship with her twin daughters, off to University, is transitioning, both as they find their way into adulthood, but also as they navigate the marriage breakdown and all the mess that comes with it. For Violet, family was a source of anxiety and restriction, with social mores being of utmost importance. Her relationship with her sister Hetty, however, was an essential part of her life, keeping her grounded and connected to Scotland long after she set off for Nepal. Her desire to look after her own daughter also showed her the lengths she would go to in order to keep her safe, to protect a part of Callum, her betrothed, with all that she can. We see how family and love can be a source of huge strength, but also a net that constrains if you let it.
Daisy and Violet are connected across the decades with a love of plants and a willingness to step outside their comfort zone. Valpy’s writing is evocative, bringing to life the landscapes they’re in, whether it be a cold and windy Edinburgh, or the glorious mountains of Nepal. You feel as if you can breathe the fresh mountain air and see the spectacular valleys of exotic flowers. It’s also a fascinating look into the practice of plant hunting and how findings were recorded and sent back to the UK.
The two women’s lives mirror each other also in living through periods of global upheaval. Violet lives in the aftermath of the First World War, through the Great Depression, and into the Second World War, whose darkness reaches her even in the mountains. The village of Phortse is also hugely impacted by the first successful attempt to summit Everest. The Sherpas believe it is wrong to climb the mountains, standing on the heads of gods, and so there is reluctance to become guides, despite the financial benefits it brings. The women stay home and pray for the forgiveness of the men and their safe return, but they accept that the tragedies that befall those who climb it are punishments from the gods. Daisy experiences the loneliness and anxiety of a world shut down by pandemic, and the pain of being separated from family at a time of trauma. Valpy constructs the story in such a way that these parallels are very clearly drawn. We see also how they both benefit from the welcoming community of Sherpas that they’re lucky enough to meet and stay with. The realisation that although life in the mountains is hard there is a freedom to it, and a strength in the love they experience.
This is a gripping read, with the switch between time periods keeping you wanting more. The Covid lockdowns still being fresh in our memories, it can be emotional to read fiction based around them, bringing back the uncertainty and suffering, the isolation and sacrifices people made in being separated from loved ones in their final days. It is a reminder to never take your family for granted, nor to become complacent in the life we lead, which can be utterly unrecognisable in the blink of an eye. At times the plot is slightly predictable, but you are so invested in the characters that it doesn’t matter, your heart is shattered with them.
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