Emily Midorikawa and Emma Claire Sweeney delve
into the archives to explore the literary friendships of four of our most
beloved female authors. They believe that female literary friendships are
greatly under-researched, especially when compared to the fame of many of the
male equivalents. What becomes apparent throughout however, is that this is
often due, in part at least, to a lack of evidence, often the result of
deliberate actions of the custodians of their memories.
This is certainly true of the first of their
examples: Jane Austen and Anne Sharp, for which they explain ‘Jane’s family
actively whitewashed the friendship from the official version of her life’.
This results in a heavy reliance on Austen’s niece, Fanny, who Annie was
employed to teach as a governess. It is the snippets and passing comments in
her diaries that form the basis of this section. It often feels as though we
are merely being told about their two separate lives with a few nods to
interactions between them. This is natural from friends who were separated so
frequently and whose letters no longer exist for the most part.
Charlotte Brontë and Mary Taylor’s friendship,
which started at school and lasted through their lives, also relied heavily on the exchange of letters as Taylor spent a number of years living in New Zealand.
A radical, independent woman, Taylor provided Charlotte with intellectual
stimulation and challenged her to be more overtly political in her writing.
Their closeness naturally ebbed due to the time in which it took their letters
to reach each other, but the opinion of Taylor remained important to the
end. After Taylor’s disappointment at
Gaskell’s biography of her long term friend she was not overly eager to help
other biographers, meaning that it was their kinder childhood friend, Ellen
Nussey, who had more control over how Charlotte was remembered.
George Eliot and Harriet Beecher Stowe’s
friendship also had to contend with the challenges of overseas friendship.
Indeed, they never met in person, but remained important figures in each
other’s lives, offering criticism and advice, and avoiding topics from their
personal lives that would have caused contention. They weren’t without their
fallings out however, especially in times of deep sadness for Eliot, when Stowe
was unable to provide the support she needed.
Virginia Woolf and Katherine Mansfield are
somewhat unique in this group in that they enjoyed a similar level of success.
History has not forgotten their association but rather twisted it into a bitter
rivalry, missing the connection they shared. This was exacerbated by their
membership of the Bloomsbury and Garsington groups which encouraged snide
comment. Midorikawa and Sweeney don’t deny that they were envious of each
other’s talent and openly cutting of their work, but also highlight the importance
of the helpful criticism they exchanged and the way in which Mansfield
encourage Woolf to explore new forms of the novel after the War.
An interesting and unusual book, they shed light
on the importance of female literary friendship, shattering the idea of the
solitary female author and challenging misconceptions passed down through
history. You will notice similarities between the four friendships, the
challenges they faced, and ultimately the value they placed on their literary
friends. A great insight into the lives of these most famous authors.
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