Thursday, 25 September 2025

Voyager, Diana Gabaldon

This post contains affiliate links. If you click through and buy I will receive a percentage commission at no extra cost to you.

This is a review of book three in the Outlander series. This review may therefore contain some spoilers for earlier novels in the series.


In this third book in the Outlander series, readers are thrown back into the world of Jamie and Claire, separated by hundreds of years, but holding on to the love they have for each other. As the novel develops the focus shifts into a high seas adventure, with pirates, shipwreck, and some supernatural goings on to keep the reader hooked. We meet new characters, catch up with old ones, and watch as Jamie and Claire come to know each other again.


We learnt at the end of book two that Jamie Fraser hadn’t died at Culloden as planned, and Voyager take us to the battlefield to find out exactly what happened. The narrative is then split between the eighteenth and twentieth centuries, Jamie’s escape from slaughter and imprisonment, and Claire’s attempt to find out what happened to him, Brianna coming to terms with the idea of a father lost to her in the past. Covering twenty years in half a book, even in one of this length, means we get the highlights (or, indeed, lowlights, as they often seem to be) but Gabaldon weaves the tale carefully, giving us enough to understand the shifts in character, the choices they were forced to make, their trials and successes. Jamie has by no means had an easy life, for one, he was determined to die at Culloden, and the thought that his beloved wife has travelled away, alive but unreachable, is unbearable. As seems his natural role in life, he frequently becomes a leader in any group he finds himself in. Men look to him for guidance, and his skills, enhanced by some modern knowledge passed on by Claire, helps them through months of malnutrition and suffering. His role as leader also brings him closer to Lord John Grey, with whom he builds a friendship, bonding over the game of chess. This friendship will prove useful many times throughout the course of the novel, and likely beyond. After years of strife and hard work, he settles in Edinburgh as a printer, with a side hustle in printing pamphlets that would get him arrested, and in smuggling, he is never one for a simple life. 


We see Claire both with her grown-up daughter and in flashbacks of her life with Frank after returning through the stones. Their marriage was never a happy one after their period of separation, Frank was not faithful, but would not leave her and Brianna, who he loved dearly. He struggled to understand her desire to train as a doctor, but when it came to it, would support her in her ambitions. We see Claire struggle with motherhood and with her grief over losing Jamie, loving him desperately while married to another, who just so happens to disturbingly resemble a cruel ancestor they had far too many altercations with in the past. The interacting lives and loves between Jamie, Claire, and Frank is one of the most interesting aspects of the series so far, and this book really allows us to delve deep into the mechanics of it. Ultimately, the tale of Claire and Frank is a tragic one, sacrificed at the altar of her love for Jamie. Bringing her back to the modern day, when they have finally pinpointed Jamie and discovered that he might still be alive if Claire travelled back, she has a heartbreaking decision to make - remain separated from her soulmate, or leave her daughter, most likely permanently.


The fact there are six more books in the series after this one would suggest the answer is she chooses Jamie, but this is not without its complications. For all she knows, he could be happily married with a new family, she might not travel back to the right time, or she might not be able to find him. The risk is not insignificant, and having been apart for two decades they have a lot of catching up to do. We do drop right into the action but Gabaldon returns time and again to the fact they need to get to know each other again, to fall in love with the people they have become. Their love is as all consuming as it’s ever been, and Jamie is soon reminded what it’s like to have a wife who constantly seems to find herself in difficult situations, but they don’t fall back to where they were when she left. They have to come to terms with what they’ve done in the interim.


The second half of the novel focuses more on their travels by sea in an attempt to rescue their nephew Ian. Jamie continues to suffer from extreme seasickness and you feel as the reader the claustrophobia of life at sea, willing the journey to go faster so that he can be back on solid ground. This becomes quite a complex part of the novel, with many changes of location, other ships, and new characters introduced. Claire and Jamie are temporarily separated again, and when they come back together they discover an old adversary who seems to have nefarious plans for their family. We are also confronted with the reality of the slave trade, in full swing at this point in history. Claire is naturally horrified but soon realises that her actions, albeit with good intentions, only make those enslaved suffer more. 


An enjoyable read, but with such a huge expanse that the first half almost feels like a completely separate book. There are some uncomfortable racial stereotypes included, and an odd obsession with the expanded weight of one returning character, which is unnecessary, but overall it feels like Gabaldon is growing in her confidence and skills. The action comes quick and fast and as soon as the characters extricate themselves from one sticky situation they seem to find themselves in another. There is further discussion of the mechanics of time travel in the Outlander universe, and a fun theory on how it has helped with the legend of the Loch Ness monster. An engaging read full of emotion, peril, and some swashbuckling adventure. 


Pick up a copy:

Waterstones

Wednesday, 17 September 2025

Well, This Is Awkward, Esther Walker

This post contains affiliate links. If you click through and buy I will receive a percentage commission at no extra cost to you.

This post is part of a blog tour. Thank you to Random Things Tours and Bedford Square Publishers for providing me with a copy of the book in exchange for an honest review.


Mairéad lives a busy life in London as the head of an influencer agency, which she recently sold to a large conglomerate, giving her the financial freedom to buy a home and decorate it in her dream style. She’s suffering dating fatigue from being on the apps too long, struggling to feel relevant at work where an increasingly young workforce see her as old, and feels the pressure to constantly be ‘on’ in a world of endless notifications. When her estranged sister Lenny has an accident and is unable to care for her daughter Sunny while she recuperates in hospital, suddenly Mairéad’s carefully curated life feels like it’s falling apart at the seams. Lenny and Sunny live off-grid in a cabin in Wales, believe medicine to be poison, and try to live ferociously eco-consciously. When Sunny arrives in London she struggles with the busy-ness, the noise, the choice, the waste. She just wants to spend her time reading, and eventually bonds with the goats at the zoo and wants to spend every waking moment there. Mairéad is at a loss how to cope. She never wanted children, doesn’t know how to look after them, and just wants her beautiful, clean life to return to normal. She hopes to palm Sunny off on her reclusive, tech-obsessed mother, in a house full of eccentric lodgers, but her conscience soon gets the better of her and she realises that she’s the only one who is going to at least try to take proper care of Sunny.


Due to her financial windfall she is able to take some time out of work when she realises it’s completely untenable to try to do both. A disastrous attempt at taking Sunny to work followed by a failed attempt at recruiting a temporary babysitter open her eyes to just how much time raising a child takes. Sunny is comparatively low-maintenance. She is used to having very little and either wants to have her nose in a book or be communing with whatever animals are nearby. She struggles with busy shops and with social niceties however, making it difficult for Mairéad to do simple tasks like food shopping. We see Mairéad begin to crumble under the pressure, unbelievably bored shackled to her niece, yet with time she realises that she has become quite attached and feels something missing when they are apart. A summer holiday orchestrated by her friend Dodie leads her in contact with many more children and young people and her maternal instincts begin to come alive, although she continues to worry whether she’s doing the right things. She’s impressed by Sunny’s confidence in the water and tries to step out of her comfort zone to meet her halfway. There is no magic moment where everything becomes easy but they work together through the difficulties to find a way of living that works for them. 


We don’t see much of Lenny directly, merely learn about her through her absence, in the small anecdotes Sunny tells, and in the brief encounters at the hospital and back at the cabin. It is clear that Mairéad has had a difficult family life. As a child she felt a bond with her sister, an equal witness to the particularities of their family life, but as she got older and became involved in eco-terrorism they grew apart. Lenny dreamed of living in a commune in Canada but her pregnancy put paid to those hopes as children were not welcome. When she blows up at Mairéad for having taken their late father to chemotherapy treatment their relationship is irreparably damaged and they no longer speak. Her mother Helen makes constant excuses to avoid her, has never seen Mairéad’s flat and never expects to. She pretends to be willing to help with Sunny but when it comes to it she refuses. It’s clear that even as children they had to battle with the lodgers for attention, and since the rise of smart technology Helen is always distracted, putting her phone or laptop before listening to her daughter. This dysfunctional family life adds to Mairéad’s anxieties about being able to care for Sunny, but it’s clear to the reader that although she goes through the struggles that will be familiar to anyone looking after a child, her heart is in the right place and that they’ll be OK. 


The narrative style is relaxed and informal, and you feel so much that you’re seeing events through Mairéad’s eyes that it is somewhat jarring every time she is referred to in the third person, which remains the narrative style throughout. The story felt a little far-fetched, not because of Sunny’s need for a guardian, but because Mairéad is so able to simply drop her life, to move to a cabin in the wilds of Wales and accepts this as her lot. She completely lets Sunny guide their life, not even considering that they could move into a home with modern amenities nearby so as not to remove Sunny from the life and landscape she knows, but to make her own life less difficult. They also seem to come around to each other very quickly, from complete discontent to quiet understanding, and Sunny gets used to the comforts of Mairéad’s life without too much complaint after her initial surprise at this luxurious way of living. Nonetheless, it’s a nice enough read, with characters put in a situation that would feel impossible to resolve in real life. Walker acknowledges this in resisting a happy ever after moment. We see Mairéad grow into her role, albeit with a few bumps along the way, and Sunny begins to consider a life beyond what she was taught to expect by Lenny.


Pick up a copy:

Waterstones